Press quotes
Concerts and recordings

CONCERTS

« beautiful, amber voice »
The Gazette/ Arthur Kaptainis/ August 9, 2004

"She has a commanding vocal presence and sings with passion and insight."
International Review/Andrew O'Connor/February 2004

"Contralto Marie-Nicole Lemieux was definitely the evening's star"
The Edmonton Journal/Bill Rankin/February 8, 2004

"Lemieux sang the lieder and the musical hysterics with equal artistry and passion."
The Edmonton Journal/Bill Rankin/February 8, 2004

"Lemieux is an absolute delight."
Toronto Star / Robert Crew / 11 December 2003

"The performance of the young Canadian was breathtaking ­ for the incomparable beauty of her voice, her musicality, her splendour, the transcendant freedom of her dramatic, indeed comic, approach to the role of Orlando."
La Libre Belgique / 10 octobre 2003 / Translation by Glenn Wanamaker

"Such voices are rare."
Edmonton Canada / Allison Kydd / September 4, 2003

" her interpretation of Wagner's setting of Fünf Gedichte eine Fraustimme" by Mathilde Wesendock was expansive and emotional ­ haunting, anguished tender, heroic, even florid. "
Edmonton Canada / Allison Kydd / September 4, 2003

"Marie-Nicole Lemieux brought the right combination of drama and reticence to the music, and her smooth, expressive voice was the perfect instrument for these somewhat neglected songs."
The Ottawa Citizen / Richard Todd / February 7, 2003

"Lemieux, () managed with her art to turn an excellent concert into a memorable one. () she adds the true mark of a musical star ­ the ability to communicate meaning and sense through her music."
The Globe and Mail / Robert Harris / January 10, 2003

"Lemieux, who has a richly hued sonority, has quickly become one of the most sought after voices."
The Globe and Mail / Alan Conter / July 22, 2002

"With a flowing voice and a heart as big as lac St-Jean, Marie-Nicole Lemieux became an instant icon (,,,) by winning the 2000 Queen Elisabeth Competition in Brussels"
The Gazette / Arthur Kaptainis / May 2001

"Not so long ago, contralto Marie-Nicole Lemieux made a sensation in the Montreal musical milieu when she won the Joseph-Rouleau 2000 Award (at the Jeunesses Musicales of Canada Music Competition). She just won the First Prize of the prestigious Queen Elisabeth International Music Competition in Brussels, where she also won the Special Lied Award.
() Among the 17 jurors, let's mention the following ones: Nancy Argenta, Dame Joan Sutherland and José Van Dam.
It is the first time that a Canadian musician wins this important competition since its inception, in 1950.

() Marie-Nicole Lemieux now joins the ranks of famous artists who have won this prize in the past such as violinists Leonid Kogan, Jaime Laredo, pianists Vladimir Ashkenazy, Leon Fleisher or Karl Engel."
Le Devoir
/ François Tousignant / May 30, 2000

RECORDINGS

Brahms, ANALEKTA

" Preserving this almost candid simplicity, contralto Marie-Nicole Lemieux offers her moving voice to these complaints of regrets and unrequited love."
Le Monde de la musique / December 2004

« Not only she possess a voice of remarkable beauty, she produces it with remarkable smoothness, ease and musicality. »
Toronto Star /William Littler/ November 18, 2004

"Technically, control and voice projection are perfect, the sound is round and lively, the vocal line wonderfully well-sustained."
Le Devoir / Christophe Huss / October 30, 2004

« an artist of integrity. »
Wholenote / Robert Thomas / 2004

"Marie-Nicole is an exceptional singer"
Classicstoday.com / David Vernier/ October 15, 2004

"Lemieux is a born Brahms singer."
National Post / Tamara Bernstein/ October 4, 2004

Vivaldi : Orlando Furioso, NAÏVE

« This Vivaldi CD by Naïve witnesses the 1st French recording of Marie-Nicole Lemieux, a brilliant performance.() This Orlando obviously appears to be one of the rare major recordings of the year in the field of opera. »
Le Devoir / Christophe Huss / December 18, 2004

Belli Voci, ANALEKTA

« gorgeously rich and transparent voice »
Opera Canada/ Neil Crory/ Fall 2004

Vivaldi-Scarlatti, ANALEKTA

"She [Lemieux] sings this work by Vivaldi as well as Domenico Scarlatti's Salve Regina with tremendous means allowing her to nuance as nobody else does in a velvety voice which never tarnishes."
Opera Mag, France / Brice Dombele / February 2005

"The transparent beauty of Marie-Nicole Lemieux's voice is hard to forget."
The American Record Guide /March/April 2004

"I express a desire for more recordings from this sensational young singer."
Classics Today.com / David Vernier

"This is singing of the highest professional and artistic standard"
Classics Today.com / David Vernier

"Lemieux's contribution are highlights"
Regina Leader-Post online / David Green

Haendel, ANALEKTA

"Marie-Nicole Lemieux ­ a contralto, with a pure counter-tenorish voice ­ sings with spot-on intonation and a vocal agility that makes it all sound easy. Lemieux's embellishments are tasteful, her delivery subtly expressive and yet she can give goosebumps with the word "crudele" "
The Whole Note / Colin Eatock

"You only have to wait a few seconds at the start of this Handel program to know that Marie-Nicole Lemieux is a major talent, an artist of the first rank, a commanding presence and a thrilling interpreter of this repertoire."
Classicstoday.com / David Vernie

"Lemieux is another in an impressive list of world-class Canadian singers."
Classicstoday.com / David Vernie

"Her ease of delivery, (...) rich, luscious timbre ­ and seeming joy in all that she sings ­ makes this recital a pure delight and rare artistic achievement."
Classicstoday.com / David Vernie

"you can't help but be amazed when you hear the natural, unbridled sensuousness conveyed in her singing of the slower arias and the sheer crackling fire that bursts forth in the more emphatic, agitated sections."
ClassicsToday.com / David Vernie

"The star of this excellent recital is contralto Marie-Nicole Lemieux"
Musicweb.uk.net / January 2003